1. #bbc6music : a blog post

    BBC 6 Music, a digital radio station in the UK specialising in alternative music from all over the spectrum, is rumoured to close as of yesterday when a damning report by the BBC Trust. The report surveyed residents to find that only one in five were aware the station even existed and that it lacked presenters with credibility as music experts. The Times has reported Mark Thompson, the BBC Director General, as saying that the station may be axed to scale back BBC costs and allow commercial rivals more room.

    This is absurd. BBC 6 Music has a dedicated and growing listener base of 695,000 in 2010, which is 12% up on the previous year, and although this is small compared to the giants of Radio 1 and 2, it is still perfectly reasonable for a station only available digitally. These days I would bet most radio is listened to while driving, and most cars on the road don’t have a DAB-enabled radio, and cannot pick up 6 Music anyway.

    I digress, because it is not the statistics we should be concerned with, but the heart and soul of a station such as this. Unconstrained by the charts and absconding from the terrors that is formularic playlisting (which my father tells me is what made him stop listening to radio), 6 Music has literally unlimited access to the entire BBC archive and is the only station with the remit to play it. The presenters are, on the whole, highly intelligent people with their own passions for music, and, as anyone with a real interest in new music will tell you: these people are at the forefront of introducing artists with their first bit of radio airplay; Tom Robinson’s Evening Sequence being notable for guaranteeing every single piece of music sent into them gets played. 6 Music is one of the most important outlets new artists have, and though 695000 may not seem a lot to a BBC Executive, that number is probably twice or three times the number of plays they have had in their lifetime over the internet.

    Where else would Phil Jupitus have a text-in “for whether or not to play Curtain Call by the Damned, in its full 18 minutes of overwrought gothic glory.” And it happened; in the morning breakfast show. He is quoted today in The Guardian: ” Cutting 6 Music is an act of cultural vandalism, and an ­affront to the memory of John Peel.”

     
  2. Windows Phone 7
Windows Mobile becomes Windows Phone, and at the Mobile World Congress, today in Barcelona, Microsoft have unveiled the seventh iteration of their device - and my god does it look good; and as Steve Ballmer said, leaving the room, “we have no OBJECTION to Adobe Flash support… although V1 will ship without it”. Clearly someone who can see the hypocricy in the iPad’s ‘ultimate web experience’ monicker.
Regardless, with support for a fathom of social networks, a truly connected device and the X-box Live and Zune HD software built into the phone itself; Microsoft have produced a phone interface to rival Apple and Android. Though we didn’t see any evidence of a lack of multi-tasking in Windows Phone 7, I’m on edge as to how they’ll react with their competitors on either side of the board: is there a happy medium?
The interface looks incredibly smooth and fluid, and it will remain so, with Microsoft promising no carrier customisations: HTC’s Sense UI on WinMo will be a thing of the past, offering continuity between devices. The interface itself is clean, straight typography and iconography, no backgrounds, no shadows or complex processing - just a simple, speedy user interface.

The first devices are poised to ship in the holidays of 2010, and I’m sure as more information becomes available, Windows is going to become an incredibly tantalising proposition. Let’s hope they don’t price themselves out of the market against Android’s open framework.

    Windows Phone 7

    Windows Mobile becomes Windows Phone, and at the Mobile World Congress, today in Barcelona, Microsoft have unveiled the seventh iteration of their device - and my god does it look good; and as Steve Ballmer said, leaving the room, “we have no OBJECTION to Adobe Flash support… although V1 will ship without it”. Clearly someone who can see the hypocricy in the iPad’s ‘ultimate web experience’ monicker.

    Regardless, with support for a fathom of social networks, a truly connected device and the X-box Live and Zune HD software built into the phone itself; Microsoft have produced a phone interface to rival Apple and Android. Though we didn’t see any evidence of a lack of multi-tasking in Windows Phone 7, I’m on edge as to how they’ll react with their competitors on either side of the board: is there a happy medium?

    The interface looks incredibly smooth and fluid, and it will remain so, with Microsoft promising no carrier customisations: HTC’s Sense UI on WinMo will be a thing of the past, offering continuity between devices. The interface itself is clean, straight typography and iconography, no backgrounds, no shadows or complex processing - just a simple, speedy user interface.

    The first devices are poised to ship in the holidays of 2010, and I’m sure as more information becomes available, Windows is going to become an incredibly tantalising proposition. Let’s hope they don’t price themselves out of the market against Android’s open framework.

     
  3. Damian Kulash vs EMI

    The major labels are well known for making increasingly ridiculous inititatives in order to ‘safeguard’ their own material, but this latest attempt to stop Ok Go’s latest viral video “less viral”, is just absurd.

    You must have heard of Ok Go. The hipster-cum-rockers who released their treadmilling ‘Here It Goes Again’ of seventeen takes to critical acclaim and almost 50,000,000 YouTube views on their official account alone, have engineered another highly sophisticated, impossibly co-ordinated feel-good video that they want the world to see. Their record label disagrees.

    Embedding is disabled for the video, which prevents me from posting it here, or anywhere else on the internet, besides YouTube. EMI supposednly want to do this to prevent any loss of profit from the lack of advertising outside of the YouTube page, but really… won’t sales increase from people seeing it around the web anyway? And Ok Go’s current success stems almost entirely from that first video, so why should EMI let them die again with pointless restraint when ‘This Too Shall Pass’ could rebirth them from the ashes.

     
  4. I suppose that’s a major theme of this decade that has just been: the failure of companies to give the consumers what they want, which in turn has resulted in a culture where illegality, piracy and hacking is the norm.
     
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